(careful attention, which follows reveals the entire plot of The Sanza Affair ( Altmann's Tongue , Bri Evenson year). If you do not want to Learn more, stop reading your name in the first monkey that comes in the words that follow. Ostrich. It One story less "violent" in the collection, longer and almost leaving aside killings by his appearance less direct. Mandrill.)
1) Runway factual. (No two)
If we do not know exactly where and / or when this story takes place, we can at least learn the practical arrangement of the routing events from the death of Lund (you I retort that it is not really dead, I'm just telling you that it does not matter), only to himself, from the moment the wheels leave others to it binds pace, which ultimately boils to "people shoot him." One can trace the tracks, said he searched the shit, the fact remains that he died.
a) runway police. (There's barely a bé)
go back. Sanza is dead. The tracks are not very clear, no one can explain why he died but everyone interviewed (his wife, his only friend, his secretary, colleagues, superiors), has something to say. All we know is investigating a case normally closed long ago, reopened with new evidence, and despite continued requests for more pressing abandonment made by his superiors. It becomes obvious they have something to hide, that's probably why that was cooled Sanza (funny euphemism). Something is there, swaying on the border between the small-scale plot and the desire to end his days in front of the bars, the classic moment fantasized police. It solves the case and both solves nothing and it is assumed first, history is being conducted as such, that his wife or his friend have to do with this. Rebuttals, suspects, strange things (it is possible that sends itself Sanza postcards and was its own correspondent in endless games of chess). Tracks that form and go into cul-de-sac more or less deep and developed, sometimes resulting in successive lanes. Stories bowls, peas, improbable theories about them and the study of most of these tracks, representative assemblies absent. We find coins on the eyelids of Sanza and another victim, you might call, remaining relatively neutral, "Collateral." Why? There is a paper that says "history" in the dead language of Sanza. Well, it matches the rest. But this does nothing much else for the idea, provoked, fomented conspiracy behind the small offices.
We present evidence and facts. When there is no evidence, we present the facts, and vice versa. If neither one nor the other are there, the estimates are given, ranging from one extreme to another depending on who is speaking. We will see again that small pieces of truth (s) are not necessarily where one might expect: while the secretary of Sanza announces that his superiors (at Sanza) (thus also his own) almost the violent, threatened him frontally themselves tell us they were just doing their normal work, asking her to hint to stop, insisting only slightly after its lack of cooperation, after all there are more important to do. Why not. The distortion occurs when Lund, in charge of the investigation of Sanza, comes to suspect that the superior in question they actually asked him to stop, but nothing physical before the end, the threats are honeyed and implicit, and are little threat, as they said to do about Sanza. We come to suspect as the secretary, why not a liar, and Lund itself, which might have something to hide, for that matter. In parallel, fast or not, one realizes that we (again, perhaps ) in the presence of a string and not a mere cover-up crime. Lund survey Sanza, who was investigating "the matter Hadden." We do not know much about this Hadden, neither of Ramsay that he has killed, but taken as they come, the elements may indicate that he (Ramsay) was investigating itself on someone who was investigating etc.. Even if he did not like or Sanza Lund, it was cool because he cared too close to things that would not have followed. We swim in the open in an imaginary fantasy police and blood feuds shy of figurations dream while struggling to stay down to earth, aided and anchored by multiple pathways, while what is most material. Caught in a trap fascinating ersatz perpetual motion in which people die just to have seen other people dead.
b) the track that slides.
can also be assumed suicide of Lund. Sanza. So, the next or previous. The search for truth is good, but he runs into the mouth of the wolf and knows it. And there will, at the same time discovering that Sanza its own end. The main problem Fox Mulder is that he always knew the truth was here.
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